As with the earlier version, there are no clips to hold the tubes in place but they don't seem in any way inclined to work loose. Use of the included shockmount, as well as a separate pop shield, is highly recommended. At around half the cost of a Gemini II, the multi-pattern capability of the Z5600a II makes it rather more versatile, but it doesn't have the unique Gemini II timbre. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The vast majority of tube mics have transformer-coupled outputs, due to the need to match the high impedance of the tube circuitry to the lower impedance associated with microphone signals, but that design can soften the high end to a noticeable extent. Unlike the Geminis, however, the Z5600a II is a multi-pattern microphone offering nine pattern variations, going from omni, via cardioid, to figure-of-eight. The high presence boost helps keep some 'air' around the top end, but the subjective result is still smooth. It does, however, have a classy sound, especially on vocals, and because it doesn't stray too far from the expected tube mic tonality it may work with a wider range of voice types. Listed: 2 months ago: Condition: Good (Used) Good condition items function properly but may exhibit some wear and tear. Photo: SE Electronics / Mark EwingSE's original fixed-cardioid-pattern Gemini microphone (reviewed in SOS June 2004, www.soundonsound.com/sos/jun04/articles/segemini.htm) broke with tradition by offering tube technology in a transformerless circuit, resulting in a microphone that combined the warmth of a tube mic with the airy top end of a solid-state, transformerless model. Learn more. Conceptually, this mic is much more conventional than the Gemini II and features a dual-triode ECC83 tube feeding into an output transformer, so it sounds rather more like you'd expect a tube mic to sound, with plenty of body and warmth and a slightly smoothed-out high end. learn more. The mount also comes with a thread adaptor, so will fit both European-thread and US-thread mic stands. At the bottom of the mic is an eight-pin connector for the cable that links the mic to the PSU, and the shoulder of the protruding XLR housing is threaded so that it secures to the shockmount's integral locking ring, allowing the mic to be operated at any angle, including fully inverted. The Z5600a II is packaged in a similar way to the Gemini II, complete with new-style PSU, locking eight-pin cable and shockmount. Brand: SE Electronics Model: Z5600a II An upgraded version of the earlier Z5600a. The electronics are tube-based. The Z5600a II kit includes shockmount, power supply, cable and separate wooden microphone box, all inside a larger carry-case. Are they worthy contenders for space in your mic locker? The Z5600a II sits at the more affordable end of the multi-pattern tube-mic market but delivers on both sound and build quality. Nevertheless, the tonal consistency between the patterns is pretty close. In general, the physical construction of the basket and housing (and the shockmount, in this case) is similar to that employed in the Gemini II and other recent SE models, and comes across as very solid and sensibly engineered. The electronics are tube-based. Brand: SE Electronics Model: Z5600a II An upgraded version of the earlier Z5600a. Its maximum SPL for 0.5 percent THD@1000Hz is 135dB, some 5dB better than the Gemini I, and the output impedance is the same nominal 200Ω. Like its predecessor, the Gemini II boasts twin valves, one for the input stage and one for the output stage, which can clearly be seen through the mic's case. It is a large diaphragm studio microphone with a variable pattern - 9 graded steps through 8 fixed points. Photo: SE Electronics / Mark Ewing … The twin tubes are fitted in porcelain bases, while the rest of the circuitry is mounted on two double-sided, glass-fibre circuit boards. Turning to the Z5600a II, If you're in the market for one of these the Rode K2 is also worth a look. SE Electronics Z5600a II Multi-Pattern Tube Condenser Microphone. The Z5600a II's frequency response is specified as 20Hz-20kHz, with a sensitivity of 14.1mV/Pa (0dB=1V/Pa 1000Hz). The Z5600a II from sE Electronics is a large-diaphragm tube microphone that gives you a uniquely modern sound with a classic tube vibe. Microphone Specifications If you're looking for one stellar studio microphone that can … The Gemini II comes similarly packaged. As far as I can tell, this revision uses a similar 1.07-inch, gold-sputtered, centre-terminated, cardioid capsule to its predecessor, mounted inside a large, dual-layer mesh basket on a shock-absorbing support. What is a "hybrid" audio interface anyway? Tonally, this mic has much in common with its earlier incarnation, producing a full and generally smooth vocal sound with a bit of lower-mid 'chest frequency' support that may help those with thinner-sounding voices. In the nicely packaged case you get everything you need to get going. The mic itself has a foam-lined wooden case, and all the kit elements fit into a sturdy aluminium carry-case that weighs only slightly less than my guitar combo! This particular PSU features no controls other than a power switch, and aside from the IEC mains inlet there's just the eight-pin XLR to connect to the mic and a conventional three-pin balanced XLR output. The basket assembly rings slightly if you 'ping' it with your finger, but that doesn't seem to come across in the sound and it doesn't produce the low-end grumble, when handled, that the Gemini does. Why Are Some A-B Stereo Arrays Angled Outwards? Add to Cart. LIke the Gemini II, -10dB pad and LF roll-off switches have been added since the last version. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. It's unusual to find a transformerless tube mic such as the Gemini II, and the only other company I can think of that make one are CAD, whose less costly M9 employs solid-state output components in place of the second tube the Gemini uses at the output stage. The Z5600a II large-diaphragm condenser... “Ive been using the Z5600a II on every single client since 2007. Microphone Specifications The Gemini II comes similarly packaged.Photo: SE Electronics / Mark EwingAs the microphone offers multiple patterns, it is equipped with a dual-diaphragm capsule (back-to-back cardioids), again 1.07 inches in diameter and centre terminated. The Gemini II is predictably weighty, so it would benefit from a substantial stand to avoid toppling. You may login with either your assigned username or your e-mail address. As I'd expected, the sound opens up more in omni mode, and although it's not as transparent as a single-diaphragm, dedicated omni model, the Z5600a II works well in omni mode for capturing room ambience or for close-miking acoustic guitars and other instruments. SE Electronics Gemini II & Z5600a II Gemini: The Return. sE Electronics Z5600a II Mutipattern Tube Condenser Microphone. The Gemini II comes similarly packaged. Q. Is there a 'right way up' to mount a mic? You may recall that the first Gemini mic used two dual-triode tubes, hence its impressive girth. $585 + $30 Shipping. Like its predecessor, the Gemini II boasts twin valves, one for the input stage and one for the output stage, which can clearly be seen through the mic's case.Photo: SE Electronics / Mark EwingSubjectively, this Mk II version sounds quite similar to the original Gemini, which is a good thing, as I know a lot of users really like the Gemini sound. PreSonus StudioLive 32SC Series III Mixing Console. Sometimes this is exactly what you want, but at other times it would be nice to retain a bit of 'air'. The views expressed are those of the contributors and not necessarily those of the publishers. The rotary pattern-control switch is located on the PSU alongside the eight-pin mic connector and the three-pin XLR balanced output feed. The shockmount itself follows the familiar metal-cage construction, with fabric-covered elastic hoops supporting and isolating the inner section. The diaphragm is gold-sputtered, 1.08'. The Gemini II isn't a budget microphone — indeed, it costs more than some of the big-name European models, which may give you a hint as to the direction SE are taking for the future. All three versions have been multipattern tube mics, but improvements to the circuitry and power supply have improved the noise and sensitivity specs. Improvements to the PSU and internal circuitry have lowered the self-noise to a creditable 12dB A-weighted, while the maximum SPL for 0.5 percent THD@1000Hz is now 135dB. www.soundonsound.com/sos/jun04/articles/segemini.htm, www.soundonsound.com/sos/May03/articles/sez5600.asp, Win! 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